Introduction to Literature
Senior 4 · Literature in English
Introduction to Literature
Lesson 1 of 5
25 min
Here are two pieces of writing about the same thing. The first is the kind of sentence a radio weather bulletin might read (it was written for this lesson). The second is a poem printed in London in 1872 in Sing-Song, a book of rhymes for children by Christina Rossetti.
Light to moderate winds of 10 to 15 kilometres per hour are expected over the Eastern Province this afternoon.
Weather bulletin (illustrative)
Who has seen the wind?
Neither I nor you:
But when the leaves hang trembling
The wind is passing thro’.Who has seen the wind?
Neither you nor I:
But when the trees bow down their heads
The wind is passing by.Christina Rossetti, Sing-Song (1872)
The bulletin tells you more facts: a speed, a place, a time. You will use it this afternoon and forget it tonight. The poem tells you no facts at all, and it has been read aloud to children and studied by adults for over 150 years. Something in the second text makes it worth keeping. That "something" is what this unit is about.
Definition
Put the two texts side by side and the differences become the features of literature.
| Question | Weather bulletin | "Who has seen the wind?" |
|---|---|---|
| Why was it written? | To inform: one practical purpose | To delight and to make the reader think and feel |
| How is language used? | Plainly; every word has one exact meaning | With care for sound (rhyme "you / thro’", "I / by"), repetition and images |
| How many meanings? | One. Two readers will understand the same thing | Several. Readers may disagree, and that is part of the pleasure |
| Imagination | None needed | Trees "bow down their heads" like people: the reader pictures it |
| How long is it useful? | One afternoon | As long as people wonder about things they cannot see |
Reading the poem closely. The question "Who has seen the wind?" is answered at once: nobody. Yet the poem proves the wind is real by its effects: trembling leaves, bowing trees. The second stanza turns "I nor you" round to "you nor I", a small change that makes the pattern feel like a game. Many readers take the poem further: we cannot see love, faith, grief or an idea either, but we know them by what they do. The poem does not say this. It leaves the space for the reader to fill, and that space is one mark of a literary text.
So literature is not defined by being written (a folktale is literature), nor by being invented (a memoir is literature), nor by being difficult (a nursery rhyme can be literature). It is defined by an imaginative, artistic use of language that rewards more than one reading.
Two old answers still frame the question. The Roman poet Horace, in his Art of Poetry (about 19 BCE), said that the writer who wins every vote is the one who "mixes the useful with the sweet" (miscuit utile dulci). In England, Sir Philip Sidney's The Defence of Poesy (published 1595) called poetry "a speaking picture, with this end, to teach and delight". Most of the functions below are a version of teaching or delighting.
| Function | What it means | Example |
|---|---|---|
| To entertain (aesthetic function) | Gives pleasure through story, suspense, humour, rhythm and beautiful language | A trickster tale of Bakame the hare told on a dark evening |
| To educate and teach morals | Passes on values and warns against bad behaviour, usually without a lecture | A fable that ends with a moral; a proverb quoted to a careless child |
| To preserve culture and history | Keeps a people's memory, language, customs and beliefs | Ibisigo, the dynastic poems of the Rwandan royal court, kept the memory of the kings' reigns |
| To criticise society and push for change | Exposes injustice and makes readers feel it | Harriet Beecher Stowe's Uncle Tom's Cabin (1852) turned many American readers against slavery |
| To express feeling and identity | Lets a writer, and a community, say who they are | A love song, a lament, a poem about one's homeland |
| To build empathy | Lets readers live, for a while, inside another person's life | A novel told by a refugee child, read by someone who has never left home |
| To develop language | Enriches vocabulary and shows what a language can do | Learning new words and expressions from a novel |
| To heal and remember | Helps people name pain, mourn and remember together | Survivors' testimonies written after the 1994 Genocide against the Tutsi, which keep memory alive |
One text often does several jobs at once. A Bakame tale entertains children, teaches them that cleverness beats size and preserves Kinyarwanda expressions, all in ten minutes.
The diagram is a map of this unit and of the course. Lessons 3 and 4 explore the left branch, lesson 5 the right.
Literature belongs to a larger family: the arts. Every art is a human creation made with skill, meant to be experienced for its own sake and open to interpretation. What separates them is the medium, the material the artist works in.
| Art | Medium | Received through | Unfolds in | Rwandan example |
|---|---|---|---|---|
| Literature | Words, spoken or written | Hearing or reading | Time: one word after another | An umugani told in the evening; a novel |
| Music | Organised sound: pitch, rhythm, melody | Hearing | Time | A song sung to the inanga (zither) |
| Painting and design | Line, shape and colour on a surface | Sight | Space: seen all at once | Imigongo geometric panels |
| Sculpture and craft | Solid material: wood, clay, sisal | Sight and touch | Space, in three dimensions | Agaseke woven baskets |
| Dance | Movement of the body | Sight, usually with music | Time and space | The intore dance |
| Theatre and film | Actors, images, sound and words together | Sight and hearing | Time | A play at a school drama festival |
In 1766 the German critic Gotthold Lessing argued, in Laocoön, that painting is an art of space (it shows one frozen moment, all at once) while poetry is an art of time (it moves through events in order). The distinction explains what each art does best:
Literature also shares a great deal with its neighbours. Poetry is close to music (rhythm, rhyme, songs), drama is close to dance and theatre (performance), and descriptive writing is close to painting, which is why Sidney could call poetry "a speaking picture".

Worked example: is it literature?
Task: Decide whether each text is literary or functional, and give two reasons.
Tip
A definition in three moves. When an exam asks "What is literature?", give (1) a one-sentence definition, (2) two features that separate it from functional writing, and (3) a short example. "Literature is the imaginative, artistic use of language in spoken or written works. Unlike functional writing, it uses images and sound for effect and is open to more than one interpretation; Rossetti's 'Who has seen the wind?' is an example."
Warning
"'What is Literature?': A Literary Guide for English Students and Teachers", from the Oregon State University School of Writing, Literature and Film. As you watch, note how the speaker separates literature from other kinds of writing, and compare her answer with the table "What makes a text literary?" above.
Practice
Key points
Sources and credits
Quick check
Which feature most clearly makes Rossetti's poem literary and the weather bulletin functional?