Introduction to Drama
Senior 3 · English
Introduction to Drama
Lesson 3 of 5
30 min
Let's begin
The same situation can make an audience laugh until they cry, or simply cry. What decides it is the form of the play: the kind of drama the playwright chooses. Here is one situation written four ways. It is a gusaba, the ceremony at which the groom's family formally asks the bride's family for her hand, and in which spokesmen on both sides compete in clever, polite and often very funny speeches: a ceremony that is already a kind of theatre.
All four scenes were written for this lesson. The characters are imagined.
Scene A
The groom's spokesman, MUNYANEZA, rises, and looks secretly at the notes written on his palm. They have been smudged by sweat.
MUNYANEZA: Honoured family, we have come because … (peering at his hand) … because our young man has seen a … a "cow"? (He turns his hand upside down.) A flower! A flower, in your garden, whose name is … (squinting) … Aunt Bernadette?
(AUNT BERNADETTE, seventy, sits up very straight and adjusts her headscarf.)
AUNT BERNADETTE: At last, someone in this family has good taste.
(Everyone laughs. The groom hides his face. The real bride laughs loudest of all.)
Scene B
Years later. The same yard, empty. KAREMERA, the bride's father, now old, sits alone holding a letter.
KAREMERA: They came to ask for her with gifts and songs, and I sent them away. I said the boy's family had insulted mine, long ago, over a cow. A cow! My pride stood at the gate like a soldier. So she left, and married him far away, and her letters stopped. (He looks at the letter.) Now her son writes to me. He asks what kind of man his grandfather is. (Pause.) I do not know what to tell him.
(The light fades slowly until only the letter is lit.)
Scene C
Loud, dark music. RUSAGARA, a rich moneylender in a shining suit, bursts into the ceremony.
RUSAGARA: Stop! This wedding will not take place! Karemera owes me one million francs. Pay me today, or your land is mine, unless your daughter marries my son!
(The bride faints. Her mother screams. Suddenly, sweet music. The groom rushes in, holding up an envelope.)
GROOM: Here is your money, Rusagara: every franc of my savings! Now leave this good family in peace!
RUSAGARA: (shaking his fist) You have not seen the last of me! (He runs out. Everyone cheers.)
Scene D
A hospital ward. The groom, his leg in plaster after a road accident, lies in bed. The two families crowd round it, still in their ceremony clothes.
MUNYANEZA: We had a long speech prepared. Forty minutes, about cows. (The groom laughs, then winces with pain.) The doctor has given us five.
KAREMERA: Then use them well. His bus driver did not live to see this evening. Let us not waste the life we have been given.
(Silence. Then the bride takes the groom's hand, and Munyaneza begins, very fast. The nurse checks her watch, smiling.)
Definition
comedy: a play that aims to amuse, with ordinary characters, misunderstandings and a happy ending, often a wedding or a reunion.
tragedy: a serious play in which the main character, often a person of importance, falls into suffering or death because of a tragic flaw (also called hamartia), such as pride.
melodrama: a play with exaggerated emotions, characters who are clearly good or evil, sudden turns of events and often music, usually ending with good winning.
tragicomedy: a play that mixes serious and comic elements, in which a story that could end in disaster ends with some hope, or laughter and pain stand side by side.
| Comedy | Tragedy | Melodrama | Tragicomedy | |
|---|---|---|---|---|
| Aim | to amuse and to show human foolishness | to move the audience deeply and make it think about suffering | to thrill and stir strong, simple feelings | to show that life mixes joy and pain |
| Characters | ordinary people, often foolish or proud in a harmless way | a tragic hero: usually important and admired, but with a fatal flaw | stock characters: a pure hero, an innocent victim, a wicked villain | realistic people who face real danger but are not destroyed |
| Typical plot | misunderstandings, mistaken identity, tricks that go wrong | a fall from happiness to suffering, which the hero causes and recognises too late | sudden dangers, chases, last-minute rescues | a serious crisis with comic moments, turning towards hope |
| Ending | happy: often a wedding or reconciliation | unhappy: loss, ruin or death | good is rewarded and evil punished | mixed, but hopeful |
| The audience feels | amused, relieved | pity and fear, then a kind of release (catharsis) | excited, then satisfied | both sad and glad |
| Examples | Wole Soyinka, The Lion and the Jewel; Shakespeare, A Midsummer Night's Dream | Sophocles, Oedipus the King; Shakespeare, Romeo and Juliet; Ola Rotimi, The Gods Are Not to Blame | many television soap operas and action films | Shakespeare, The Winter's Tale; Samuel Beckett, Waiting for Godot, which Beckett called "a tragicomedy" |
Comic relief is a funny moment placed inside a serious play to release tension for a while, like the joke about the forty-minute speech in Scene D.
Worked example
Proving that Scene B is a tragedy
Worked example
Why is "The Boundary Stone" not a tragedy?
Tip
Ask how it ends, and why. A happy ending through luck and laughter suggests comedy; a sad ending caused by the hero's own flaw suggests tragedy; good rewarded and evil punished, with big emotions, suggests melodrama; a mixed but hopeful ending suggests tragicomedy.
Warning
"What is a Tragedy?", a literary guide for students from Oregon State University's School of Writing, Literature and Film. Note what the speaker says about hamartia and catharsis, then test both ideas on Scene B.
Practice
Sources and credits
Written by Ganzaa.