Floor Gymnastics Exercises
Senior 4 · Physical Education
Floor Gymnastics Exercises
Lesson 1 of 3
25 min
Lie a football and a broom handle on a slope: the ball rolls smoothly, the handle tumbles awkwardly. Your body is the same. Curled into a tight ball it turns quickly and smoothly; stretched out it turns slowly. Every roll in gymnastics, and every somersault, is controlled by changing shape. In Senior 1 and Senior 2 you learned the basic forward and backward roll and linked them with other shapes. At Senior 4 the aim is quality and control: rolls that finish standing without hands, rolls in the straddle and pike shapes, and the mechanics that explain why each fault happens.
Definition
Tuck, pike and straddle: the basic body shapes. Tuck: knees and hips bent, knees to the chest. Pike: legs straight and together, bent only at the hips. Straddle: legs straight and wide apart.
Moment of inertia : a body's resistance to changes in its rotation. It grows with mass and, much more, with how far that mass lies from the axis: , where is the radius of gyration.
Angular velocity : rate of rotation, in radians per second.
Angular momentum : the "amount of rotation", . If no outside turning effect acts, stays constant.
Spotting: hands-on help from a trained person at the right moment and place, so that a gymnast can learn a skill safely.
When a gymnast is in the air (a dive roll or a somersault), angular momentum is conserved, so : making smaller makes larger. On the mat the floor also pushes on the body, so is not exactly constant, but the same principle holds: a tight, round tuck keeps the roll turning, and opening the body at the right moment slows it so the gymnast can stand.
Worked example
Worked example 1: tuck versus straight. A 50 kg gymnast leaves the floor in a dive roll with angular momentum . Using the radii of gyration in the diagram, find her angular velocity and the time for one full turn in the tuck and in the straight shape.
Halving the radius of gyration divides by , so the tuck turns four times faster. This is why a gymnast who opens too early in a roll stalls halfway, and why "chin on chest, knees to chest" is the first coaching point of every roll.
| Phase | Key points |
|---|---|
| Preparation | Stand tall, arms up; crouch and place the hands flat, shoulder-width apart, a short distance in front of the feet |
| Rotation | Chin to chest; push with the legs and lift the hips; the back of the head and then the upper back (never the top of the head) touch the mat; stay round |
| Finish | Keep the tuck, heels close to the seat; reach forward with the arms and stand up without pushing on the mat |
| Variation | What changes | Mechanical challenge |
|---|---|---|
| Forward roll to stand without hands | Arms reach forward at the end, feet close to the seat | Enough angular momentum to bring the centre of mass over the feet |
| Straddle forward roll | Legs open wide just before the feet land; hands push down between the legs | Larger at the end, so a faster start is needed |
| Pike forward roll | Legs straight and together throughout; finish in a pike stand | Larger all the way: needs strong hip flexors and good flexibility |
| Forward roll to straight jump | Roll to stand, then jump with arms up, landing with bent knees | Converting rotation into a vertical take-off |
Sit back close to the heels, keep the tuck, and roll onto the rounded back. Place the hands on the mat beside the ears, fingers pointing towards the shoulders, as the hips pass over the head. Push hard through straight arms so the head and neck are freed of weight, and land on the feet.
| Variation | What changes |
|---|---|
| Backward roll to straddle stand | The legs open wide as the feet come over; land in a straddle stand |
| Backward roll to pike stand | Legs straight and together; strong arm push; finish standing with the body folded |
| Backward roll to front support | The legs reach back and the body stretches out to finish in a push-up position |
| Backward extension roll (advanced) | The arms push the body up through a handstand before stepping down: taught only by a coach, after a strong handstand |
| Fault | Cause | Correction |
|---|---|---|
| Roll goes sideways onto one shoulder | Hands not placed evenly; head turned | Hands level, eyes on the knees, push equally |
| Stuck on the back of the neck | Arm push too weak or too late | Practise the push down a gentle slope made with a wedge or folded mats |
| Stalls halfway and sits back | Body opens too early (large ) | Stay tucked until the feet are on the mat |
| Lands on the knees | Not enough rotation; feet too far from the seat | Stronger push and a tighter tuck |
Video: "How to coach the basic backwards roll variations on floor", Gym Club Solutions. Watch the hand position beside the ears and how each variation changes the finishing shape.
Tip
"Small to spin, big to stop." Make yourself small (tight tuck) to keep rotating; make yourself big (open out, arms reaching) when you want the rotation to end.
Warning
Safety and common mistakes. Never roll onto the top of the head: the neck is not built to take the body's weight. Use mats laid flat with no gaps, one pupil per mat at a time. Do not roll with a full stomach, with jewellery, or straight after spinning. A pupil with neck or back pain does not roll. Dive rolls are taught only by a qualified coach, low and onto a thick mat.
Practice
Remember
Sources and credits
This lesson adapts CC BY-SA material and is shared under CC BY-SA 4.0.
Quick check
A gymnast's radius of gyration halves when she tucks. What happens to her moment of inertia?