Appreciation of Poetry
Senior 6 · Literature in English
Appreciation of Poetry
Lesson 1 of 5
25 min
In the summer of 1920, a seventeen-year-old named Langston Hughes was crossing the Mississippi by train on his way to visit his father in Mexico. Watching the great river in the evening light, he thought of the rivers in the history of Black people, and wrote a poem in a few minutes on the back of an envelope. It was published the next year and is still one of the best-known poems in American literature.
The Negro Speaks of Rivers
Langston Hughes (1921)I've known rivers:
I've known rivers ancient as the world and older than the flow of human blood in human veins.My soul has grown deep like the rivers.
I bathed in the Euphrates when dawns were young.
I built my hut near the Congo and it lulled me to sleep.
I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln went down to New Orleans, and I've seen its muddy bosom turn all golden in the sunset.I've known rivers:
Ancient, dusky rivers.My soul has grown deep like the rivers.
A note on the title: "Negro" was the respectful word for Black Americans in Hughes's time, and he used it with pride. Today we say Black or African American.
| Word or name | Meaning |
|---|---|
| Euphrates | river of ancient Mesopotamia (today's Iraq), where some of the earliest cities grew |
| lulled | soothed gently, as a mother soothes a baby |
| Abe Lincoln | Abraham Lincoln, later the US President who ended slavery; as a young man he took boats down the Mississippi to New Orleans, a city with a slave market |
| bosom | chest, breast; here, the broad surface of the river |
| dusky | dark, dim, as at dusk |
Definition
The poem is a frame: the refrain opens and closes it, and inside the frame the four rivers move in historical order, from Mesopotamia to Africa to America. The journey traces a people's history from the dawn of civilisation, through great African achievements, to slavery in America; the last image, the "muddy bosom" turning "all golden", suggests that even that suffering can be transformed. The poem ends where it began, but the refrain now means more, because we have travelled through the history that made the soul "deep".
| Question | Answer, with evidence |
|---|---|
| Who speaks? | An "I" who has lived for thousands of years: the collective voice of Black people across history, not a single person |
| What is the subject? | Rivers, and through them the history and heritage of a people |
| What are the themes? | Pride in an ancient heritage; endurance; the depth of identity that history gives |
| What is the tone? | Calm, dignified, proud, almost sacred; never angry or pleading |
| Why rivers? | They are older than human life ("older than the flow of human blood"), they carry life, and they flow through every age: like the soul, deep and continuous |

Worked example
A model paragraph on structure
Hughes frames his poem with a refrain that gathers meaning as it returns. At the start, "My soul has grown deep like the rivers" is a bold claim we must take on trust. Between its two appearances, the speaker travels through four rivers in the order of history: he "bathed in the Euphrates when dawns were young", "built" his hut by the Congo, "raised the pyramids" by the Nile, and heard the Mississippi "singing" in the age of American slavery. The parallel verbs show a people who have bathed, built, raised and endured across thousands of years. When the refrain returns, it is no longer a claim but a conclusion, proved by the journey. The structure therefore enacts the theme: identity grows "deep" through history, as a riverbed is deepened by the water of ages.
Tip
Read three times before you write. First for the sense, second for the shape (stanzas, repetition, turns), third for the language. Only then decide what the poem is about; first impressions are often wrong.
Warning
Randolph Smith recites "The Negro Speaks of Rivers" for Poetry Out Loud, the national recitation competition run by the US National Endowment for the Arts. Listen to how he paces the long Mississippi line and pauses before each refrain.
Practice
Sources and credits