Comparative Analysis in Drama
Senior 6 · Literature in English
Comparative Analysis in Drama
Lesson 4 of 5
25 min
Let's begin
Two of the greatest English tragedies were written about fifteen years apart by two playwrights born in the same year, 1564. Christopher Marlowe's Doctor Faustus (first performed in the early 1590s) is about a scholar who sells his soul to the Devil for twenty-four years of knowledge and power. William Shakespeare's Macbeth (around 1606) is about a soldier who murders his king to seize the crown after three witches foretell that he will be king. Both heroes make a bargain with evil, enjoy what they gain, and end facing a death they have brought on themselves. Both plays are in the public domain, so we can quote them freely.
MACBETH I have no spur
To prick the sides of my intent, but only
Vaulting ambition, which o'erleaps itself
And falls on th' other.Macbeth, Act 1, Scene 7
CHORUS Till swoln with cunning, of a self-conceit,
His waxen wings did mount above his reach,
And, melting, heavens conspir'd his overthrow.Doctor Faustus, Prologue, on Faustus's pride
MACBETH Tomorrow, and tomorrow, and tomorrow,
Creeps in this petty pace from day to day,
To the last syllable of recorded time;
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life's but a walking shadow, a poor player,
That struts and frets his hour upon the stage,
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.Macbeth, Act 5, Scene 5, on hearing that his wife is dead
FAUSTUS Ah, Faustus,
Now hast thou but one bare hour to live,
And then thou must be damn'd perpetually!
Stand still, you ever-moving spheres of heaven,
That time may cease, and midnight never come; …
The stars move still, time runs, the clock will strike,
The devil will come, and Faustus must be damn'd.Doctor Faustus, final scene
| Word | Meaning |
|---|---|
| spur; prick | a spike on a rider's heel used to urge a horse on; to jab with it |
| vaulting ambition | ambition that leaps too high, like a rider jumping onto a horse with such force that he falls off the other side |
| swoln with cunning, of a self-conceit | swollen with cleverness and pride in his own abilities |
| waxen wings | an allusion to Icarus, who flew too near the sun on wings of wax and feathers, and fell |
| player; struts and frets | actor; walks proudly and worries |
| spheres of heaven | the turning crystal spheres that were believed to carry the stars and planets |
Definition
Both tragedies follow the same arc: a bargain with evil raises the hero, then the price comes due. The shapes differ, though. Macbeth reaches the crown early, and the rest of the play is a struggle to keep it, with murder following murder. Faustus's power lasts longer and is spent on tricks and spectacles, so his fall is less a series of crimes than a slow waste of what he paid for.
| Point | Macbeth | Doctor Faustus |
|---|---|---|
| Desire | Political power: the crown of Scotland | Knowledge, pleasure and power over nature |
| The tempter | The witches' prophecy, and Lady Macbeth's challenge to his courage | Faustus's own pride; Mephistopheles; the Evil Angel |
| Conscience | Visions, a ghost and sleeplessness: "Macbeth does murder sleep" | The Good Angel and the Old Man urge him to repent; he cannot bring himself to |
| Structure | Short, fast, tightly plotted; no comic subplot except the Porter | A Chorus frames the play; comic scenes with servants and tricks fill the middle |
| Attitude to time | Time becomes meaningless: "Tomorrow, and tomorrow, and tomorrow" | Time becomes terrifying: "one bare hour to live" |
| Ending | Killed by Macduff; order restored under Malcolm | Carried off by devils; the Chorus warns the audience |
The two final speeches make the clearest comparison. Both heroes speak about time, but in opposite ways. Macbeth, numb after his wife's death, finds time empty: days "creep", life is "a walking shadow", a story "Signifying nothing". He has lost the ability to fear. Faustus, by contrast, feels every second; he orders the heavens to "Stand still" and begs for midnight "never" to come, but "The stars move still, time runs". One man is past feeling; the other feels too much. Yet both speeches show a man who traded eternity for time, and finds at the end that the time he bought is worthless.


Worked example
A model comparative paragraph (point: the role of the supernatural)
In both plays the supernatural tempts, but it does not force. The witches only tell Macbeth that he "shalt be king hereafter"; it is his own "Vaulting ambition", and his wife's mockery of his courage, that turn a prophecy into a murder. Marlowe makes the point even more directly: before any devil appears, his Chorus shows Faustus "swoln with cunning" and flying, like Icarus, "above his reach". Mephistopheles comes because Faustus calls him. Whereas Shakespeare leaves it uncertain how far the witches' words cause Macbeth's crimes, Marlowe stages the choice openly, with a Good and an Evil Angel arguing on either side of Faustus. Both dramatists, then, use the supernatural to show that the real danger lies inside the human heart, but Marlowe's morality-play angels make his tragedy more openly a story about a soul, while Shakespeare's is more a story about a mind.
Tip
Pair matching moments. The last soliloquies, the first temptations, the reactions to a woman's death or to a vision: choosing parallel scenes makes a comparison precise, and lets you quote both plays on the same point.
Warning
Crash Course Literature on Macbeth (Part 1): free will, witches and murder. As you watch, list the points that apply equally to Doctor Faustus.
Practice
Sources and credits